Why did I review the album? I like Pharrell
Did I like it? Yes
Will I listen again? Yes
I’ve never been so enamored with
an album. I liked it so much that I initially put a BUY rating on this album.
But when I strap a buy rating on my review, I’ve decided I must buy the album
as well. That forced me to reflect on my reasons for listening to music. I
listen to music because I appreciate an artist’s ability to tell a story through
music. This album does not do that, so I will not buy it. (It does tell a
story, but not one that I think is good enough to support) Despite that, I hope other people will.
Pharrell’s aim with this album
was to provide a fun album where he could talk about his infatuation with
women. As tired as the idea sounds, I enjoyed it a lot. The main reason is that
he managed to discuss an overused topic without falling into the usual tropes.
He makes it interesting by relating the courting of a woman to hunting, or
saying he doesn’t want an all-star woman, just a different one. Usually that
message would annoy me, but the candor he uses in stating it disarmed me.
Pharrell is a brilliant producer,
but this album proves he’s not a lyricist. The lyrics are base and rely on
charm and delivery to succeed.
This album lacks variety as it is
ALL about women. But, the lengths he is willing to go to attract woman and the
different tactics he uses to do so give each song originality. This album
paints Pharrell as a debonair man that can relate to any woman.
I wonder why his label decided to
release the album now. It’s the perfect summer album because the atmosphere the
music produces. It’s the kind of music you can open the windows (of a car or
house) and listen to, but it’s March, so most people will not be able to.
I can completely understand those
that do not like the album. At its core its an album about charming woman, a
subject that’s overused in music, and the lyrics are mediocre with no depth.
But, I found the album charming despite its shortcomings.
If you are looking for content,
you’ll be sorely disappointed, but if you’re looking for an album that’s an
easy listen with plenty of charm, you will enjoy this album.
My Favs
3. Gust of Wind
2. Brand New
1. Know Who You Are
Overall Rating: 80 with a recommendation to listen then decide
Marilyn Monroe- I loved the beginning of this song so much I wanted
to know if Pharrell had produced it. Hans Zimmer helped Pharrell with the
opening. It only lasts about 15seonds, but I enjoyed every second. Then, oddly
the song continues into a second opening. I’m not sure why he did this but it’s
awkward. Either choose the Hans Zimmer opening or choose the one that directly
follows. As beautiful as the Zimmer composition is, I would remove it because
the second opening fits better. Pharrell tells us he’s easy to please because
he’s not looking for a Cleopatra, Joan of Arc or Marilyn Monroe, any girl will
suffice. Normally I’d be annoyed by the message, but it’s delivered in a
playful manner. The message is still the same, but it helped temper my
annoyance. The other reason I enjoy this song is its candor. It’s commonly said
that a man will say/do anything in order to get what he wants from a woman.
Well in this case Pharrell asks “why should I have to lie?” Challenging the
notion of a sweet talker that swindles women. Pharrell tell you what he wants
and has no qualms with sharing it. Every woman that interacts with Pharrell
knows his end game. It’s an interesting twist. The song is too long, but still
a strong start to the album. 3.5/5
Brand New- I shouldn’t like this song as much as I do. “Got me
feeling brand new.” ”Like the tag still on me” is hardly genius. But there is
something about a Pharrell and Justin Timberlake collaboration that’s alluring.
The beat and the combined charisma of Pharrell and JT puts a smile on my face every
time I hear this song. 4/5
Hunter- This song oddly reminds me of Blurred Lines. I don’t like
this song because it didn’t engage me. I already said the albums lyrics are
weak and that the album thrives on charm. This song didn’t have that. Because
of that, the weak lyrics were especially noticeable. Still, the concept of a
man hunting woman is interesting. When a man woos a woman, it is reminiscent of
hunting. We choose a woman we like and try to become exclusive before anyone
else. In that way, we are all part of the hunt. Most people will hate this song
because some will say it is degrading to women. Others will be turned off by
the suggestion of men hunting women because it brings humans back to a primal
stage that we do not like to confront.2/5
Gush- The beat carries this songs. It’s smooth and enjoyable. 3/5
Happy-I can foresee this song creating division among listeners.
Like the album, its success depends on the receptiveness to Pharrell and his
delivery. Some will see it as an uplifting song while others will view it as
useless, catchy-pop drivel I’m somewhere in the middle. It’s puts a smile on my
face and is catchy pop, but I wouldn’t call it drivel.3/5
Come and Get it Bae- The song uses sophomoric sexual innuendo. Miley
Cyrus was completely useless in this song because her only use was to scream, “HEY!”
2/5
Gust of Wind- The violin is my second favorite instrument. Like the
saxophone (my favorite instrument) it elevates every song that uses it. Violins
transform a bad song into a good one, a good song to a great one, and a great
song to a 5 star song. I usually don’t like electronic sound and autotune, but
its targeted use in this case help the song. 4/5
Lost Queen- This song reminds me of something I’d find on the 20/20
Experience, without the execution of Timberlake. The first 3:30 was a boring
because it felt like someone gave him the lyrics and asked him to sing them.
There was no energy in his delivery. Then the song enters a weird intermission
for about 30 seconds where the only sound is of waves in the ocean. JT’s beat switches
work because he implements them instantaneously. The second half recovers
nicely. Not sure how the creators of the track made his voice sound that way,
but it was intriguing because it gave me the illusion that he could sing (or at
least hold a tune). This song could have been the best on the album, but its poor
execution drops it to a decent song. The song is too long, but it recovers
enough in the latter half.
Note: I just noticed the double entendre in the second half of the song. It can be heard as in ward or N- word, giving it sexual innuendo. I thought it was hilarious partially because it was cleverly disguised (either that or I’m a bit slow).
Note: I just noticed the double entendre in the second half of the song. It can be heard as in ward or N- word, giving it sexual innuendo. I thought it was hilarious partially because it was cleverly disguised (either that or I’m a bit slow).
Also JoJo makes an appearance in the second half!
I didn’t even notice it the first few times I heard the song. She’s only in it
for about 15-30 seconds, but she is there. Because her appearance is so short, I
have to question why include her in the song? But, as a fan of JoJo, I’m glad
to hear her voice even if it’s for a short while.
Lastly, after some research, I’ve
discovered the second half of the song is considered a “hidden track” called
Freq. Rated as its own song it would receive 4/5 stars, just missing the cut
for a my favs mention. 4/5
Know Who You Are-Alicia Keys steals this song! She’s in it more
than Pharrell is and he reaps the benefits. He opens the song then virtually
disappears. She sings beautifully and the lighthearted tone created by the beat
is coupled with soft touch to create a great song. 4/5
It Girl- Not as good as the opening to the album, but satisfying end.. 3/5
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